All Niko Pirosmanashvili Oil Paintings

(born Niko Pirosmanashvili; May 5, 1862-1918) was a Georgian primitivist painter. Pirosmani was born in the Georgian village of Mirzaani to a pleasant family in the Kakheti province. His family owned a small vineyard. He was later orphaned and put in the care of his two elder sisters. He moved with them to Tbilisi in 1870. In 1872 he worked as a servant for wealthy families and learned to read and write Russian and Georgian. In 1876 he returned to Mirzaani and worked as a herdsman. Pirosmani gradually taught himself to paint. One of his specialties was painting directly into black oilcloth. In 1882 he opened a workshop in Tbilisi which was unsuccessful. In 1890 he worked as a railroad conductor, and in 1895 worked creating signboards. In 1893 he co-founded a dairy farm in Tbilisi which he left in 1901. Throughout his life Pirosmani, who was always poor, was willing to take up ordinary jobs including housepainting and whitewashing buildings. Although his paintings had some local popularity (about 200 survive) his relationship with professional artists remained uneasy; making a living was always more important to him than abstract aesthetics.
 

       VORHERIGE  6  7  8  9  10  11  12   NÄCHSTE
  VORHERIGER KÜNSTLER       NÄCHSTER KÜNSTLER     

 

Niko Pirosmanashvili A Ram oil painting


A Ram
Gemälde IDENTIFIZIERUNG::  96478
A Ram
100 X 80 cm (39.4 X 31.5 in) A Ram Date pre 1919 Medium English: Oil painting on cardboard cjr
100 X 80 cm (39.4 X 31.5 in) A Ram Date pre 1919 Medium English: Oil painting on cardboard cjr
   
   
     

Niko Pirosmanashvili Brooder with Chicks oil painting


Brooder with Chicks
Gemälde IDENTIFIZIERUNG::  96479
Brooder with Chicks
79 X 67 cm (31.1 X 26.4 in) Brooder with Chicks Date pre 1919 Medium English: Oil painting on cardboard cjr
79 X 67 cm (31.1 X 26.4 in) Brooder with Chicks Date pre 1919 Medium English: Oil painting on cardboard cjr
   
   
     

Niko Pirosmanashvili A Shepherd with His Flock oil painting


A Shepherd with His Flock
Gemälde IDENTIFIZIERUNG::  96506
A Shepherd with His Flock
from 1862(1862) until 1918(1918) Medium oil on oilcloth Dimensions 110 X 138 cm (43.3 X 54.3 in) cjr
from 1862(1862) until 1918(1918) Medium oil on oilcloth Dimensions 110 X 138 cm (43.3 X 54.3 in) cjr
   
   
     

Niko Pirosmanashvili A Doe against Landscape oil painting


A Doe against Landscape
Gemälde IDENTIFIZIERUNG::  96584
A Doe against Landscape
72 X 99 cm (28.3 X 39 in) 1913(1913) Medium English: Oil painting on oilcloth cjr
72 X 99 cm (28.3 X 39 in) 1913(1913) Medium English: Oil painting on oilcloth cjr
   
   
     

Niko Pirosmanashvili A Ram oil painting


A Ram
Gemälde IDENTIFIZIERUNG::  96646
A Ram
1900s Medium Oil painting on oilcloth Dimensions 80 X 49 cm (31.5 X 19.3 in) cjr
1900s Medium Oil painting on oilcloth Dimensions 80 X 49 cm (31.5 X 19.3 in) cjr
   
   
     

       VORHERIGE  6  7  8  9  10  12   NÄCHSTE
VORHERIGER KÜNSTLER       NÄCHSTER KÜNSTLER     

     Niko Pirosmanashvili
     (born Niko Pirosmanashvili; May 5, 1862-1918) was a Georgian primitivist painter. Pirosmani was born in the Georgian village of Mirzaani to a pleasant family in the Kakheti province. His family owned a small vineyard. He was later orphaned and put in the care of his two elder sisters. He moved with them to Tbilisi in 1870. In 1872 he worked as a servant for wealthy families and learned to read and write Russian and Georgian. In 1876 he returned to Mirzaani and worked as a herdsman. Pirosmani gradually taught himself to paint. One of his specialties was painting directly into black oilcloth. In 1882 he opened a workshop in Tbilisi which was unsuccessful. In 1890 he worked as a railroad conductor, and in 1895 worked creating signboards. In 1893 he co-founded a dairy farm in Tbilisi which he left in 1901. Throughout his life Pirosmani, who was always poor, was willing to take up ordinary jobs including housepainting and whitewashing buildings. Although his paintings had some local popularity (about 200 survive) his relationship with professional artists remained uneasy; making a living was always more important to him than abstract aesthetics.

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